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	<title>Constantinos Economides Design Studio</title>
	<link>https://constantinoseconomides.com</link>
	<description>Constantinos Economides Design Studio</description>
	<pubDate>Fri, 14 Nov 2025 15:16:13 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://constantinoseconomides.com/Home</link>

		<pubDate>Mon, 15 Jun 2020 14:43:12 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>
	Constantinos
Economides 
Design Studio
	

Products / Work / PhilosophyMy design practice explores the relationship between concept, craftsmanship, and production, seeking a balance between the precision of industrial processes and the intimacy of handmade creations. Each project begins as a dialogue between the idea and the material, where form emerges through reflection, experimentation, and context.
I view design as a language through which objects convey stories of place, use, and emotion. Beyond function, I am interested in how an object resonates with its user, how its material presence and design language can evoke memory, attachment, and meaning.
Ultimately, my work aims to create objects and spaces that are both enduring and expressive. I strive for designs that merge narrative depth with technical clarity, where craftsmanship and production coexist in a continuous pursuit of human connection.© Constantinos Economides 2004 - 2025.</description>
		
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	<item>
		<title>About</title>
				
		<link>https://constantinoseconomides.com/About-4</link>

		<pubDate>Mon, 15 Jun 2020 14:43:12 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>About


	Constantinos Economides is an industrial designer and a researcher based in Nicosia. His practice explores the evolving dialogue between concept, craft, and production, reflecting a continuous search for balance between the poetic and the functional. His work investigates how material, memory, and narrative can forge emotional connections between people and objects, grounding design in the lived experience of place and culture.

Beginning with early explorations influenced by Droog Design and its conceptual, art-driven approach, Constantinos’s trajectory evolved through collaborations that shaped his design language, notably the project with the Campana Brothers for the redesign of the Olympic Hotel in Athens, which drew from local craft traditions and material culture. Later collaborations, such as with Brian Ward (WEdid-it), introduced a more technical and production-oriented methodology. The formation of DRAW Collective and the Souvenir Project emphasized narratives of heritage, locality, and sustainability, while the&#38;nbsp;ΦΧΨ Heritage Design Collective deepened this dialogue through explorations of topography, identity, and cultural memory. His ongoing collaboration with Daniel Meyer (ME Meyer Economides Design Studio) continues to refine this balance, between aesthetic expression, functional design, and the ethics of production.

Constantinos holds an MA in Industrial Design&#38;nbsp;from Central Saint Martins, University of the Arts London (2005–2007). His work has been exhibited internationally in London, Belgrade, Valencia, Hamburg, and Milan,&#38;nbsp;including Salone Satellite (2006, 2012, 2013) and Valencia Design Week (2011), and has been awarded distinctions such as the D&#38;amp;AD Award and the German Design Award Winner 2018.

He has collaborated with leading designers including Michael Sodeau, and has participated in the Boisbuchet Summer Workshops in France, in partnership with the Centre Georges Pompidou and the Vitra Design Museum.

In academia, he is a Visiting Lecturer at Frederick University (2008–2018 / 2024-present) and has given talks and presentations at the University of Applied Sciences North Karelia (Finland), the University of Fine Arts, Braunschweig (HBK) (Germany), and the Eastern Mediterranean University (Cyprus). From 2021 to 2022, he led the OPEN UP Design Lab, coordinated by the Pieridis Foundation within the Creative Europe programme, in collaboration with the University of Thessaly (Greece), Valand Academy (Sweden), and the Universitat Autònoma de Barcelona (Spain).


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		<title>Draw Collective</title>
				
		<link>https://constantinoseconomides.com/Draw-Collective</link>

		<pubDate>Wed, 24 Jun 2020 15:28:43 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>Draw Collective


	
The DRAW Collective is a studio which was formed by Omiros Panayides, Marina Sofroniou, Marios Charalambous and Constantinos Economides. Omiros's work focuses on graphic design, Marina's and Marios's work on interior and prodcut design and Constantinos's on industrial design.
Right after the economic crisis hit Cyprus in the spring of 2013, the studio created a collective platform for Cypriot artists and designers to promote and sell their work, who are inspired and create on the island in the fields of music, literature, photography, illustration and graphic design, fashion accessories and furniture design.
Photo Credits:&#38;nbsp;Silvio Rusmigo and DRAW Collective
Draw Collective:https://cargocollective.com/drawcollectiveOmiros Panayides:https://omirospanayides.comMarios Charalambous:https://www.instagram.com/studioandlab/© Draw Collective 2004 - 2025.


	
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	<item>
		<title>ΦΧΨ Heritage Design</title>
				
		<link>https://constantinoseconomides.com/FXP-Heritage-Design</link>

		<pubDate>Wed, 24 Jun 2020 15:54:40 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

		<guid isPermaLink="true">https://constantinoseconomides.com/FXP-Heritage-Design</guid>

		<description>ΦΧΨ Heritage Design


	
A collective that is limited not one bit by boundaries between disciplines, formats, genres, or tired notions of art professionalism, and focuses instead on the ever-broadening of fantastic creativity,not a crusade, not a conquering, but a playful rendering irrelevant of limitations and boundaries, and a delightfully expansive inclusion of design perspectives.

Collectively they exhibited in a Hamburg gallery from 2014 - 2016 with three Cyprus inspired series, the “DOTing” series (hangers/lamps), “Peep” series (furniture/wall lamps/ container boxes), “Green Line” series (side table/wall lamp/bowl).

In 2017, a product designed by Constantinos with literary context by Yianna for their “DOTing”series, was nominated for the German Design Award in the Excellent Product Design category.

An anomalous nature dispute of a yellow Morris Minor in the buffer zone and its heritage context “1 border, 2 rusty bumpers, 3759mm yellow bridge”, a contribution for the Humanities Department of The University of Cyprus, in 2018 for their conference on “Borders and Bridges in world Literature and Art”.

The “Worship Container”, a proposal of the team for the Larnaka Biennale in 2018 was credited with a Finalists Award. In 2019 their “Scattered Domes”, work for the Almyra and Anassa Hotels in Paphos, is part myth / part design skepticism of 101 churches of the Akamas Peninsula.

In the “Berenagaria Project (on Subjection &#38;amp; Defiance)”, where a total of thirty four creatives of various disciplines have been involved in working around the concept of Berengaria of Navarre, the Berengaria Hotel in Prodromos and the Berengaria Camp in Polemidia all seemed linked to similar fates. These exhibits have been displayed in various locations islandwide in public spaces, museums, gallery spaces and coffee shops throughout the summer of 2019, provoking critical thinking and ultimately, resonating with the public, and through the display for the exhibition at the Limassol Municipal Arts Centre - Apothikes Papadakis.

ΦΧΨ’s most recent work is “Arch &#38;amp; Pillar is She” reflecting on feminine crafts and gendered realities of the industrial labour force of the German ARCHIV Massiv Museum within the Spinnerei in Leipzig. A cross cultural narrative of the architectural identities of the place, and the cultural heritage of Cyprus internationally, where they collaborated with Hamburg based Cypriot artist Penny Monoyiou and the Cyprus Handicraft Centre. This work by ΦΧΨ remains within the permanent collection of theMuseum.https://fihipsi.com/


© ΦΧΨ Heritage Design 2015 - 2025.


	
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		<title>OPEN UP DESIGN LAB 2021-2023</title>
				
		<link>https://constantinoseconomides.com/OPEN-UP-DESIGN-LAB-2021-2023</link>

		<pubDate>Fri, 14 Nov 2025 15:16:13 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>Open Up Design Lab 2021-2023


	
Project Introduction:


We are living in a period of time where there is a lot of division. Tragic&#38;nbsp;events happening in Ukraine, Palestine, and other parts of the world&#38;nbsp;have a significant impact on our European social, political, and cultural&#38;nbsp;landscape. Urban segregation is a common issue in most European&#38;nbsp;cities. New communities and people from different social backgrounds,&#38;nbsp;faiths, and ethnicities are often feared and demonized.
The continued exclusion and separation of these diverse communities&#38;nbsp;has prevented opportunities for mutual trust and tolerance to develop,&#38;nbsp;creating an environment where nationalism can thrive. Europe, and the&#38;nbsp;world as a whole, are constantly under threat. Unfortunately, reality&#38;nbsp;often surpasses social consciousness, with political, social, and economic

turmoil, inequalities, corruption, oppression, exploitation, racism, and&#38;nbsp;xenophobia being prevalent.

What is Open Up? A summary of the project:


The Open Up project (OU) aimed to explore how culture can help create new forms of&#38;nbsp;community relations in a world that is increasingly divided. Through its various activities, OU&#38;nbsp;provided a strong and sustainable platform for creative synergies, moving away from segregation&#38;nbsp;and towards a more inclusive society. The project focused on developing arts practices&#38;nbsp;among underprivileged communities in six different countries: Cyprus, France, Greece,&#38;nbsp;Sweden, Finland, and Spain.


It aimed to unearth talented artists, performers, designers, and craftsmen, with a special focus&#38;nbsp;on young people, from neglected and underprivileged urban environments. To achieve this,&#38;nbsp;the project created six satellite platforms that empower creators to develop their skills, present&#38;nbsp;their works, and create a framework for sustaining their work after the project ends. Additionally,&#38;nbsp;a seventh mobile platform from The Netherlands traveled to the other six countries to

creatively explore and share the OU experiences.Thematic and Design Lab project proposal:


When refugees arrive in host countries, they face huge challenges in starting their new&#38;nbsp;lives. NGOs and volunteers play a crucial role in helping these refugees meet their needs

during the resettlement process. Refugees often struggle to find information, secure&#38;nbsp;employment, and connect with members of the host community.


The workshop looked to develop potential products or services of various forms and&#38;nbsp;applications, according to the participants’ skills. The aim was to create the foundation of

social interactions between refugees and local communities and to support the first’s&#38;nbsp;smooth integration with the latter.

https://nimac.org.cy/open-up-coordinated-by-pierides-foundation/

© Pierides Foundation, Nicosia-Cyprus 2021 - 2025.


	
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	<item>
		<title>Awards</title>
				
		<link>https://constantinoseconomides.com/Awards-1</link>

		<pubDate>Thu, 25 Jun 2020 10:46:37 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

		<guid isPermaLink="true">https://constantinoseconomides.com/Awards-1</guid>

		<description>Awards


	December 2018 -&#38;nbsp;Finalist Award - Larnaca Biennale 2018 themed “ Container &#38;amp; Content” (ΦΧΨ Heritage Design Team).
October 2017 -&#38;nbsp;German Design Award Winner 2018 - Excellent Communications Design &#38;gt; Retail Architecture.
May 2017 -&#38;nbsp;German Design Award Nominee 2018 - Excellent Product Design &#38;gt; Furniture.
November 2014 -&#38;nbsp;National FInalist - Honourable Mention at the CyEC 2014 (Cyprus Entrepreneurship Competition).
November 2014 -&#38;nbsp;National Finalist of the Disrupt Cyprus Competition Start-up organised by Industry Disruptors - Game Changers Greece - Cyprus.
September 2014 -&#38;nbsp;Shortlisted in the Top 10 in Greece and Cyprus for the Clean Launchpad, organised by Chrysalis LEAP accelerator and Climate KIC.
May 2012 -&#38;nbsp;Shortlisted for the International Design Competition “Ghost Project” organised by Mikser Festival, Belgrade, Serbia.

April 2012 -&#38;nbsp;Shortlisted for the Homeless Design Competition “Smart Design”, Milan.
April 2011 -&#38;nbsp;Shortlisted for the International Design Competition “New Simplicity” organised by Mikser Festival, Belgrade.
February 2011 -&#38;nbsp;2nd Prize in “Young Balkan Designers” organised by Mikser Festival, Belgrade.
January 2011 -&#38;nbsp;Final Round in Faces of Design.
July 2006 -&#38;nbsp;3rd Prize in D&#38;amp;AD Global Student Design Awards in Product Design, London.
© Constantinos Economides 2004 - 2025.


	


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		<title>Exhibitions</title>
				
		<link>https://constantinoseconomides.com/Exhibitions</link>

		<pubDate>Sat, 18 Jul 2020 06:31:58 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>Exhibitions

	
PERSONAL PARTCIPATIONS, EXHIBITIONS AND SEMINARS:
May 2023: Workshop and Presentation “ Design and construction of an exhibition platform” within the framework of the "Derive" workshop, Cyprus University of Techology, Limassol, Cyprus.
July 2022: Presentation and Workshop at Xarkis Festival in Arsos, Limassol: developing sustainable ideas, that brace social interactions between refugees and local communities, to support their integration with them. The workshop is part of the Open Up; a four-year-long cultural project, co-funded by the Creative Europe Programme.
April 2022: Presentation about the opportunities created for the underprivileged communities in Cyprus through the Open Up Design Lab - Sustainable Challenges and Opportunities for the greater Nicosia, part of the U-SOLVE program.November 2021: Presentation at the 3rd Design Forum - 10min Design Talk by Graphic Stories in collaboration with&#38;nbsp;Alexander College.

July 2021: Collaborator as a leader and mentor of the “Open Up” Design Workhshop, at the Summer course:&#38;nbsp;Urban Entrepreneurship – Opportunities in times of uncertainty, organised by the Centre for Entrepreneurship – C4E,&#38;nbsp;University of Cyprus and the Urban Gorillas.

July 2017: Participation at the “Good Design Greece” - organised by the Chicago Athenaeum Museum of Architecture and&#38;nbsp;Design, at the Contemporary Space Athens, Greece.

July 2017: Participation as an expert in the thematic challenge session of the International Summer school Climate - KIC Journey at Cyprus University of Techology, Limassol, Cyprus.

December 2016: “Fusion is the Future” organized by Cyprus University of Techology, Nicosia, Cyprus.

July 2016: Presentations and Workshops with Marios Charalambous during the Xarkis Festival 4 in Lofou, Limassol.

May 2016: Presentation at the Design Week at the Eastern Mediterranean University, EMU, Famagusta, Cyprus.

April 2016: Presentation at the World Design Day Cyprus at Cyprus University of Techology, Limassol, Cyprus.

November 2015 - December 2015: Renewal Famagusta, a bi-communal program, supported by the United Nations Development&#38;nbsp;Program in Cyprus which focused on developing the economic and social potential of the Greater Famagusta Region&#38;nbsp;(including Famagusta Walled City and Deryneia) - Product Design and Development Concultancy.

July 2015: Presentations and Workshops with DRAW Collective during the Xarkis Festival 3 in Lofou, Limassol.

May 2015: Exhibition at the Papenhuder 57 Gallery, Hamburg, Germany.

January 2015: Exhibition at the Papenhuder 57 Gallery, Hamburg, Germany.

November 2014 - January 2015: Presentations and Workshops with DRAW Collective during the POP UP Festival,&#38;nbsp;organized by the Nicosia Municipality and NiMAC, Nicosia.

August 2014: Presentations and Workshops with DRAW Collective during the Xarkis Festival 2 in Arsos, Limassol.

September 2013 - October 2013: Presentations and Workshops with DRAW Collective during the POP UP Festival,&#38;nbsp;organized by the Nicosia Municipality, Nicosia.
August 2013: Presentations and Workshops with DRAW Collective during the Xarkis Festival 1 in Arsos, Limassol.

June 2013: “International Week” - Lectures at Hochschule für Bildende Künste Braunschweig, HBK, Germany.

April 2013: “Lace Lamp” and “Lap Stool” in the design collective group T.I.V.D. at Lambrate Design District,&#38;nbsp;Fuorisalone del Mobile, Milano, Italy.

May 2012: “Ghost Project”, during the Belgrade Design Week, Belgrade, Serbia.

May 2012: "Once upon a sponge", TAF, Athens, Greece.

April 2012: "Homeless Design", Brera Design District, Fuorisalone del Mobile, Milano, Italy.

February 2012: “ RED“ at the Argo Gallery, Nicosia, Cyprus.

September 2011: Untitled Lamp in a group exhibition “Someone I met” at Sergio Mendoza’ Studio during the Valencia Design&#38;nbsp;Week, Valencia, Spain.

August 2011: Participation at the Vitra Design Museum Summer Workshops in Boisbuchet, France,

Shin Azumi: “Play with Enivonment”.

May 2011: Polistool rev.2 at the “New Simplicity”, during the Belgrade Design Week, Belgrade, Serbia.

May 2011: What We Eat Plates at the “Ghost Project”, during the Belgrade Design Week, Belgrade, Serbia.

April 2011: “2011 % Greek Design”, M Art Space Manolioudakis, Athens, Greece.

February 2011: “International Week” - Lectures at the North Karelia University of Applied Sciences, Joensuu, Finland.

September 2010: ”Green Design Festival”, Athens, Greece.

June 2009: “ Perfect F “ at the Argo Gallery, Nicosia, Cyprus.

May 2009: “ Design stories”, during the Palermo Design Week, Palermo, Italy.

March 2009: “ Tell a story ” at Bios Athens, Greece.

November 2008: “ Climate Cool” - Organized by the British Council and [re] design, at the Nanshan Book Mall, Shenzhen,Guangdong, China.

September 2008: “Farewell Industrial Dogma” – Organized by Daitumn Foundation, at Evagoras Lanitis Centre,Limassol, Cyprus.

November 2007 - January 2008: “ Climate Cool” - Organized by the British Council and [re] design,

Shanghai, Guangzhou, Beijing, China.

September 2007: “Up All Night” - Black Hill Site, London Design Week, London, UK.

June 2007: MA Industrial Design Degree Show at the CSM Innovation Centre, London, UK.

April 2007: Salone Satellite, as part of a collective called Art School, Milan, Italy.

September 2006: Participation at the Vitra Design Museum Summer Workshops in Boisbuchet, France,&#38;nbsp;Estudio Campana: “Nothing is lost, nothing is created, everything is transformed constantly”.

June 2006: D&#38;amp;AD New Blood at the Old Billingsgate, London, UK.

June 2006: Nokia Future of Mobile Design at the Air Gallery, London, UK.

February 2006: Connections at the Lethaby Gallery, London, UK.

June 2004: Exhibition of furniture design at Diatopos Gallery, Nicosia, Cyprus.

May 2004: Design of the Nicosia Contemporary Art Musem Shop, Nicosia, Cyprus.

March 2003: Participation in training and seminars at Boffi, Milan, Italy

COLLECTIVE PARTICIPATIONS AND EXHIBITIONS:

October 2023 - November 2023: “Home Away from Home” at the Larnaca Biennale - (ΦΧΨ Heritage Design collective).
September 2023: “‘Unseen Memories: Reimaging Places”, workshop and installation at the Pame Kaimakli Festival 2023, organised by the Urban Gorillas.
April 2023: “Protect and Secure Worship” scientific international conference for the protection of our religious heritage organised by the Center of Social Innovation.(ΦΧΨ Heritage Design collective).
January 2022 - March 2022: “The girl both pillar and arch”, installation at the Leipziger Baumwollspinnerei, Leipzig, Germany,&#38;nbsp;(ΦΧΨ Heritage Design collective).

December 2021: “SYMPRAXIS” - Residency with Christina Skarparis and Markos Georgiou, at the Makerspace, Department&#38;nbsp;of Multimedia and Graphic Arts at Cyprus University of Techonology.

October 2021: The Green Line Wall Lamp, Exhibition by the Larnaca Biennale 2018 awarded artists, Larnaca Biennale 2021 -&#38;nbsp;(ΦΧΨ Heritage Design collective).

October 2019: Co-Organized as part of the ΦΧΨ Heritage Design collective, The Berengaria Project, which was shown at the&#38;nbsp;Limassol Municipality Arts Center.

August 2019: “ Scattered Domes”, work for the Almyra and Anassa Hotels in Paphos, a design skeptisism of 101 churches of the&#38;nbsp;Akamas Peninsula - (ΦΧΨ Heritage Design collective).

November 2018: “One Border, 2 rusty bumpers, 3579mm yellow bridge” a contribution of a heritage context, for the&#38;nbsp;Humanities Department of the University of Cyprus - (ΦΧΨ Heritage Design collective).

October 2018 - December 2018: “Container &#38;amp; Content” at the Larnaca Biennale - (ΦΧΨ Heritage Design collective).

December 2017: “Domestic Assemblage” - Workshop and collaboration with Dr. Zissis Kotionis - University of Thessaly,&#38;nbsp;for the production of useful objects / household furniture, in an original and innovative way from research, artistic as well as in&#38;nbsp;terms of modern design, during the framework of the Pop Up Festival of the Municipality of Nicosia and NiMAC.

June 2010: Co-Organized and co-curate the “ SIT ” exhibition with 3rd year and 2nd students of the Interior Design&#38;nbsp;Department of Frederick University, Nicosia, Cyprus.

June 2009: “Culture Industry”, Folklore and Clichés at VOX, Athens, Greece.

June 2009 – October 2009: ReMap2 / Ø16 WORKSHOP / TAPEDSCAPE#01 / GUERRILLA PLAYGROUND

during the 2nd Athens Biennale.

October 2008: “Campanas Workshop in Athens”, at the Albion Gallery, London.

© Constantinos Economides 2004 - 2025.


	


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		<title>Contact</title>
				
		<link>https://constantinoseconomides.com/Contact-1</link>

		<pubDate>Tue, 23 Jun 2020 15:52:42 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>Contact


	Postal Address: &#38;nbsp;59 King Paul Street, Kaimakli, CY 1021, Nicosia, Cyprus.
General enquires:&#38;nbsp; constantinoseconomidesdesign@gmail.com





	


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	<item>
		<title>DOTing Mirror</title>
				
		<link>https://constantinoseconomides.com/DOTing-Mirror-2</link>

		<pubDate>Mon, 15 Jun 2020 14:43:12 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>DOTing Mirror

Doting - To show excessive fondness or love.
The DOT becomes obviously apparent. 
These perfectly formed round circles emphasising a simplistic DOT in a variety of objects; The calming effect of familiarity to a form is embraced with the painstakingly procedure pursued both in material and in craftsmanship evolving these same items with the simplistic DOT into a dynamic DOTing experience, by the designer, where excessive fondness or love is shown in making them. 
The mirror was nominated with a German Design Award 2018 in the Excellent Product Design category.

Year produced: 2015Materials: Solid oak (also available in solid walnut), powder coated aluminium.
Dimensions: ø 300 x 20 mm (thickness).Photo Credits: Silvio Rusmigo.
Made by Andrelia.Curated: Yianna Tsolaki for Cherry Concepts &#38;amp; Spaces at PAPHENHUDER 57 Gallery, 2015. 
© Constantinos Economides 2004 - 2025.


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	<item>
		<title>Nicosia Map Container</title>
				
		<link>https://constantinoseconomides.com/Nicosia-Map-Container</link>

		<pubDate>Mon, 15 Jun 2020 14:43:13 +0000</pubDate>

		<dc:creator>Constantinos Economides Design Studio</dc:creator>

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		<description>Nicosia Map Container

I was born and raised in Nicosia, the capital of Cyprus, a city that holds my earliest memories of family, friendship, and belonging. Yet, Nicosia remains the only divided capital in the world. Growing up within its fragmented landscape, the unseen and unreachable parts of my own city left a quiet scar , a lingering sense of absence and separation.

This experience becomes the foundation of the design. The divided map of Nicosia is transformed into the lid of a cylindrical container, an object created to hold cherished possessions, such as jewellery or keepsakes. The container becomes more than a functional object; it is a vessel of memory, reflection, and emotion.

Just as the city once held both presence and loss, the object carries its own duality, a place to protect what is precious, while quietly recalling the divisions that shaped a generation.
Year produced: 2015Materials: Solid Ash (also available in solid walnut).
Dimensions: ø 150 x 60 mm (height).Photo Credits: Silvio Rusmigo.

© Constantinos Economides 2004 - 2025.&#38;nbsp;

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